Skylar Patridge and Jordan Alsaqa talk Our Sins Are Scarlet

Skylar Patridge and Jordan Alsaqa talk Our Sins Are Scarlet

It's an incredibly exciting episode of the Comic Book Yeti Cryptid Creator Corner podcast today with returning guests Jordan Alsaqa and Skylar Patridge telling me as much as they can without having to disappear me about their newest comic: Our Sins are ScarletOur Sins are Scarlet is an erotic spy thriller now funding on Kickstarter until March 28th. As I type this the campaign is about $1,000 away from funding, which shows the level of excitement that has been building for this comic. Skylar and Jordan have put so much time and work into this comic and it shows. We talk about the original plans for the comic and the journey to pivot to crowdfunding. We also discuss balancing the familiar elements of a traditional spy thriller with a modern take on the characters and their relationships. It's a fantastic comic, but don't take it from me, listen to Skylar and Jordan. 

Make sure to check out our monthly crowdfunding comics feature book: BattleMex.

[00:00:00] Your ears do not deceive you. You've just entered the Cryptid Creator Corner brought to you by your friends at Comic Book Yeti

[00:00:07] So without further ado, let's get on to the interview

[00:00:11] Hey comics fam

[00:00:12] I wanted to tell you about this amazing new Kickstarter project funding soon from my friend David Rodriguez

[00:00:17] It follows the adventures of three young heroes chosen by mystical gems of power and trained in a secret program called Guardian Battle Force

[00:00:24] Mexico the world's first Aztec Super Sentai control three unique guardian spirits the Jaguar

[00:00:31] The hummingbird and the unicorn to defend the children from an ancient evil that haunts their nightmares

[00:00:35] I got an advanced look at this and it blew me away

[00:00:39] Artist Stefano Simeone is top-level talent having worked on Mega Man Radiant Black and Star Wars among other things

[00:00:45] And this is a perfect fit for a story that has something of a cross between so many of the team oriented 80s cartoons

[00:00:51] I love I interviewed David a couple years ago for his graphic novel Finding Gossamer and I've been looking forward to seeing what he does next

[00:00:58] This has the look of something that will definitely get picked up by a major publisher

[00:01:02] So get in on the ground floor head over to Kickstarter and search for battle mechs to sign up for notifications when this thing goes live

[00:01:09] I've also dropped a link in the show notes to make it easy for you

[00:01:12] It will be available in both English and Spanish which I absolutely love

[00:01:16] This podcast has always been about promoting diversity inclusion in comics and it makes it so much more accessible to a wider community of new younger readers

[00:01:24] Don't mess it

[00:01:29] Hello, and welcome to comic book yet. He's cryptid creator corner

[00:01:33] I'm one of your hosts Jimmy Gasparo and I have two two returning guests to the podcast

[00:01:39] You may remember this particular writer Jordan Al Seca

[00:01:44] We talked about cooking with monsters and also I have Skyler Patrick and

[00:01:51] Skyler was on and I think we were just talking about

[00:01:54] I think the second arc of resonant was was was just wrapping up. So

[00:01:59] but Jordan and

[00:02:02] Skyler welcome back to the podcast

[00:02:03] I'm so excited to talk about you have a new Kickstarter

[00:02:06] Which is launching or will have launched by the time this episode airs on February 29th

[00:02:12] So if you're listening right now in this episode comes out on March 5th

[00:02:15] You can go to Kickstarter. There'll be a link in the show notes and back it but it's called our sins or scarlet

[00:02:20] It's kind of like a spy thriller. I'll let the two of you describe it

[00:02:23] I was telling you before we started recording. I was like riveted going through it. I just

[00:02:30] Absolutely loved it. I don't know. I love spy thrillers. I've always been a big fan

[00:02:34] I don't feel like there's a ton of them in comics at least not that I've come across and I just thought this was

[00:02:40] Fantastic, so yeah Jordan and Skyler welcome back to the podcast and really excited to dig in and hear more about our sins or scarlet

[00:02:51] Yeah, thank you for having us. Definitely. It's it's surreal. We've it's been in production so long

[00:02:56] It feels weird

[00:03:01] We have had the red light green light a little bit for the last couple years, so

[00:03:06] We're going we're going with the green light now. Hopefully this actually

[00:03:10] Is successful and people are excited about it as excited as you have been Jimmy

[00:03:14] Well, I would say I did click over to the you know your your prelaunch campaign page and

[00:03:20] You know because that's kind of a big deal with Kickstarter for any listeners and if you've listened to this podcast

[00:03:25] we've had several folks on here with crowdfunding campaigns and

[00:03:30] The things I've learned in doing this podcast and then talking to folks that have crowdfunded stuff

[00:03:34] Especially on Kickstarter like that project. We love badge can be really big

[00:03:38] A lot of creators I've talked to said that you know a lot of their backers don't necessarily come from like social media

[00:03:45] But come from within Kickstarter itself and they talk about that

[00:03:49] You know prelaunch campaign like having a lot of followers who are going to get the emails and get the notices and

[00:03:56] The last time I just checked your you know how many days before launch like a week before launch and you have

[00:04:02] 420 followers so I mean in my mind. That's you guys you got folks excited

[00:04:09] The vibe is good

[00:04:14] For years of sort of teasing people for a very long time

[00:04:18] So there's a lot of material that we can kind of get people excited about so we've been kind of sharing

[00:04:23] various memes that Jordan and I have made over the years and various

[00:04:29] Suggestive artwork I've done over the years. So it's it's a trimming up a lot of excitement

[00:04:33] So it works. We're very happy to see people signing up for the notification

[00:04:37] Yeah, one of the one of the bonuses of it having been in development so long as we've been able to tease so much

[00:04:42] And we still have a lot but like we're a week out. We haven't shown our second variant cover yet

[00:04:47] We haven't we haven't even shown our logo yet. So we we've been able to like

[00:04:51] Uh, and I don't think we've actually posted like the full cover. So I mean we've uh

[00:04:56] We've gotten a lot of mileage just off of of like six

[00:04:59] Well, probably not six years of teasing but four or five years of us like posting about it vaguely

[00:05:06] What has kind of like been the biggest challenge that I mean in terms of like

[00:05:11] I guess kind of like the long gestation period of this and and not just like the stops and starts of it

[00:05:16] Which I'm sure can be you know frustrating like those highs and lows

[00:05:20] But are there difficulties in terms of trying to like promote it and tease something out for for that long or kind of like

[00:05:27] Heat momentum going because crowdfunding campaigns seem to be a lot about momentum

[00:05:34] I I think to me

[00:05:37] The frust any frustration because I I know we've we're very lucky that people have said they're very excited for it

[00:05:42] And have wanted to see it for years

[00:05:44] Um and to anyone who has been frustrated by how long it's taken. I promise we're just

[00:05:51] You know, this is this is a book that

[00:05:54] We were waiting a long time because um

[00:05:58] We were talking about it behind the scenes and it was something we were we were developing

[00:06:02] But Skyler was super busy for a long time

[00:06:04] deservedly so and then we were able to get the pitch together and had the good fortune to get picked up

[00:06:11] And we're ready. It's all ready to start talking about it probably like six months ago

[00:06:15] And that's just about with um, it wasn't idw and adw had their big

[00:06:20] We're just cutting everything originals move and so

[00:06:24] We had to we had to pivot and try pitching it again and then finally just go

[00:06:28] I guess we're just gonna crowdfunded ourselves. So it is not a path. We would have chosen

[00:06:33] But we're we're happy that it's finally hopefully gonna gonna have a happy ending

[00:06:37] Well, I mean to go a little bit off of what you said, jimmy like there aren't a lot of spy stories

[00:06:42] um, especially sort of sapphic leaning spy stories

[00:06:45] In the market and I think that was kind of a hard sell for us. Well when we went back to pitch

[00:06:50] um, and so

[00:06:52] yeah, we weren't successful our second time around but

[00:06:55] The interest is there just from talking to people and telling them that we were kick starting it

[00:07:00] I think that you know comics has its own community and then there is

[00:07:04] Kickstarter's own community and comics within that and so it's it's

[00:07:08] A lot of crossover and you kind of run into different audiences that might not have gotten from a traditional publisher

[00:07:14] So we're hoping that it winds up being the right move for this story

[00:07:17] At this point, I feel like we kind of talked about it recently

[00:07:20] We do feel like it it is hopefully the right avenue um because we have a lot of

[00:07:25] We have a lot of world that we want to

[00:07:27] show people and we've got

[00:07:30] at least two arcs that we are

[00:07:32] tentatively building and so we've got a lot of story we want to tell

[00:07:39] Yeah, I mean I I'm gonna encourage everyone to

[00:07:42] To turn out for it and I you know not not that I would say that reading it and I thought oh

[00:07:46] I understand why this you know would be a hard sell

[00:07:48] um, I didn't at all but I I do it's an interesting time in comics right now

[00:07:53] And like I certainly understand and I have no like hard data on this just my own

[00:07:59] anecdotal perceptions, but there does seem to be the

[00:08:02] Community of folks that are going into the comic book shops and then folks that might read digitally and folks that

[00:08:09] crowdfunding and I don't know what the ven

[00:08:11] Like I do it all so I I'm like in the middle of that pen diagram

[00:08:15] But I don't know exactly what it looks like but certainly on social media

[00:08:19] You know platforms like twitter whenever there's this type of like like especially sapphic content seems to be

[00:08:27] To say like it's popular right now, but it does seem to get it gain a lot of traction just from my perception

[00:08:33] um

[00:08:33] But but more so than any of that it was just a really great

[00:08:38] story

[00:08:39] And I mean skylie. I love your artwork. I mean you you still every time I hear your name

[00:08:44] I just think of that that I think that the steamiest issue of resonant

[00:08:50] Like instantly comes to mind, but then you've done so many other things since then as well

[00:08:57] And even within this issue, uh, there's just a

[00:09:01] You know the spy element is great. Some of the the action scenes

[00:09:06] The fewer are really good

[00:09:08] um

[00:09:09] But there's also not just like an overt like in your face

[00:09:13] Sexiness there's like a sultryness to these characters when it's called for especially in this kind of subterfuge spy

[00:09:21] Genre when I think alaina has to carry out like a particular mission that I feel like

[00:09:27] um

[00:09:28] Is very

[00:09:29] Deftly handled and I just I don't think any just anybody could pull that off

[00:09:33] And I thought that really added to the elements of the story

[00:09:37] Thank you. Yeah, when we're I personally feel like Jordan and I have that has been a concern for us is because we have shared so much

[00:09:44] of the sexier stuff that

[00:09:48] We're excited to show people that we have a story that there's really substantial story there and that that it's more than just

[00:09:55] You know the sexy bits and those are fun too

[00:09:57] And Jordan and I've had a lot of fun with that as well

[00:10:00] But we've also really feel like we built a substantial world and and characters

[00:10:04] I think that people will be invested in yeah

[00:10:07] Yeah, that's kind of one of the the big things we wanted to emphasize because when we when we move to kickstarter

[00:10:12] We did some things to go

[00:10:14] Yeah sex sells pretty well on kickstarter. We are aware of that

[00:10:17] I think you could just go look at some of the popular campaigns right now and see how well they're doing

[00:10:22] But we so so like we we did a new cover

[00:10:24] Which is the cover that's on the campaign to kind of speak to that a little more

[00:10:27] But we also wanted to really balance it that it is

[00:10:30] There there's I think we are both very pro smut but but we are not like we're making erotic

[00:10:36] We're making something that that has sexy moments, but is also very character driven and

[00:10:41] Uh, that's what we hope people will get hooked for I mean if if the sex sells

[00:10:45] I don't think we're opposed to that, but we hope that people will will get attached

[00:10:48] We'll take whichever readers want

[00:10:50] Yeah, but we'll try to deliver. We'll try to deliver and I think we are delivering

[00:10:56] a substantial

[00:10:57] Story there's there's substance behind all of the

[00:11:00] Sassiness all the spice

[00:11:02] Oh, I mean a hundred percent and there were just I was like hanging on

[00:11:08] A couple of uh a couple of the panels. There's there's a the character later on that is in like

[00:11:14] A couple of panels and uh at first I didn't

[00:11:19] You could I read it so quickly because I was like

[00:11:21] So excited by but then

[00:11:23] Towards the end I was like hanging on the panels and I realized like oh this character

[00:11:27] Shows up earlier on and you know, uh, some of those things. Um

[00:11:32] Just really enjoyed that that aspect of the story to it

[00:11:35] But even some of those close-up panels between Elena and like other characters. I there

[00:11:41] There's so much emotion

[00:11:43] I really love that aspect to it. Uh, Jordan. I also wanted to compliment in terms of the the dialogue

[00:11:50] Um when you're your other character that's introduced

[00:11:54] Harper agent Donovan when she is in there with Snelling and I think Glover. I mean it I

[00:12:02] Instantly felt a connection to that character, right?

[00:12:04] Because and it's tough you have like you you introduce different characters at different times

[00:12:08] but I instantly kind of like liked her and um

[00:12:12] I I was ready to like reach into the comic if he called her like little lady like one more time

[00:12:17] Like your dialogue is like just dripping with this like typical

[00:12:22] alpha male

[00:12:24] misogynist like treatment of her

[00:12:26] I was like angry which like then endeared me even

[00:12:30] War to her. I know it was just it wasn't too much. It just it felt

[00:12:35] It felt frustrating

[00:12:38] Like normal

[00:12:39] um, and I like yeah instantly uh felt a bond with um

[00:12:45] With Harper like felt for for her and just wanted to know a whole lot more

[00:12:49] I I just loved how the the two your two main characters Layne and Harper were kind of like weave together and how we see them interact and

[00:12:57] um all that story aspect to it. I

[00:13:00] Was just thought was great

[00:13:03] Thank you so much. That really is it

[00:13:06] Yeah, and and it's good to hear that it's working and that it because it could very easily be over the top

[00:13:11] I think

[00:13:13] We wanted it to be

[00:13:14] Real because I mean honestly it could probably be more over the top and still be realistic, but we also wanted it to

[00:13:21] scan and

[00:13:23] Just I think we've that's that's been one of the co the highlights of co-writing it is

[00:13:28] I think there have been times where we've both maybe

[00:13:31] Hold each other back

[00:13:32] from

[00:13:34] And pushed each other. Yeah, it's been a very times

[00:13:36] Yeah, where it's like maybe one of us was a little too like conservative

[00:13:39] And the other one was like no, no, no, let's let's make her say something really fucked up

[00:13:45] Yeah, you're fine. You're you're fine. We'll put a we'll put an explicit content on

[00:13:53] So yeah, it's it's that's been one of the highlights, which is also the other thing that I think really works

[00:13:57] Uh because I'm biased

[00:13:59] I will say that I think this is some of skyler's best work because I have such a personal attachment

[00:14:03] but I also think

[00:14:05] she has a very intimate familiarity with

[00:14:08] The world because we co-wrote it because we've been plotting it out for again like six years figuring the story out

[00:14:14] So there's a lot of stuff that we can just

[00:14:16] I think

[00:14:17] Because when I was scripting I could always be like well, we're gonna go through this together

[00:14:21] And then I could leave a lot of things

[00:14:23] That was actually one of the problems with with editorial sometimes because I would be a little too vague in the script

[00:14:27] And I'd be like I promise

[00:14:29] Skyler knows exactly what to do here

[00:14:32] Well and Jordan was Jordan was awesome about

[00:14:38] Listening to my input on you know things like dialogue and pacing and stuff like that. And so it's I feel like

[00:14:45] We've had a really good co-writing relationship and just collaborative relationship in general

[00:14:50] telling the story and I feel like

[00:14:52] 99% of the time on the same page is where we think a character is coming from what their motivation would be like

[00:14:59] It it has worked really well and it's been a blessing to work with Jordan

[00:15:03] Yeah, and I mean even in that 1% where we disagree. I think

[00:15:07] And part of this comes from how long we've worked together is even if we get a little heated

[00:15:11] We know it's from a place of of caring about the story and I don't think it's ever it's never been like

[00:15:17] More than like a little tits. I think which is nice because it could obviously be worse

[00:15:21] Yeah, I'm sure it can be kind of tough, you know if you do have

[00:15:29] You know strong disagreements about something to kind of figure out, you know where where where you're going to land

[00:15:36] But yeah, I mean the finished product seems like you've navigated all those well

[00:15:40] You know that it doesn't feel like disjointed

[00:15:43] You know in terms of the writing in terms of the art in terms of creating it together

[00:15:47] There isn't any one panel that i'm like, oh, that's that's an odd choice

[00:15:51] You know, there isn't anything like that that stands out if you you know, you might think that there's collaborators that

[00:15:56] You know have too strong of a personalities or aren't able to like figure it out that you'd end up with maybe

[00:16:02] Comic like either in the panels or something that doesn't quite connect. But there's there's none of that here

[00:16:08] I mean it is smooth

[00:16:13] I mean, I really liked it. I just I feel like I haven't read like us, you know

[00:16:16] I mean, I know that

[00:16:18] There's james bond comics that are still out there and I know there's you know

[00:16:22] There there are some things if you like kind of like spy stories, but I don't know

[00:16:26] this just felt like it felt like

[00:16:28] a little familiar and but but really fresh and um, yeah, I was excited by it

[00:16:34] Thank you. Yeah, I think you know

[00:16:35] Jordan and I talked a little bit back when we were kind of really getting into the nitty gritty whip this first issue

[00:16:40] about how

[00:16:41] We really wanted it to be its own thing like to to exactly what you said to pull

[00:16:47] familiarity from from other media from james bond

[00:16:50] From killing eve like we wanted it to feel

[00:16:53] Sort of familiar but also have its own

[00:16:55] Its own flavor and so kind of taking those genres and turning them on their head a little bit

[00:17:01] um and

[00:17:02] Just kind of making it fun at the same time, you know, I think some of some of the comps we've

[00:17:07] given for it have been

[00:17:09] Like Hannibal meets killing eve meets velvet meets lady killer like kind of all of those things kind of crossing together

[00:17:15] so you get this mixture of

[00:17:17] a good time with

[00:17:20] A lot to say like a lot of story and hopefully a lot of intrigue at the same time

[00:17:25] Yeah, it was always our goal

[00:17:27] Which is my goal really in all of my work is I just want to make something

[00:17:31] That I would want to read

[00:17:34] And it was a little different than this because so much of it was co-written

[00:17:36] But I always write towards the artist as the first audience

[00:17:40] Um because I've always I always want the person I'm working with to

[00:17:43] Have fun making it and I think that goes without saying skylark was was having fun on this. I hope

[00:17:50] But we also just yeah the spy they're outside of brew baker and rucka and even then there

[00:17:57] Hasn't been a lot of scott spy stuff

[00:17:59] I think even brew baker and phillips have mostly been doing stuff like reckless and pulp for the past few years

[00:18:04] so

[00:18:05] Um, it just felt it felt untapped. Uh, it does feel like maybe it's rising again

[00:18:11] And there's gonna be more spy fiction. Hopefully

[00:18:14] Um, just because it's fun

[00:18:16] um

[00:18:17] But I mean a lot of the big ones are off there hasn't been a james bond and once it's been three four years

[00:18:21] And there's still like no progress on another one

[00:18:24] Uh, a lot of the but there are spy movies coming out. However poorly stuff like our guy might be received

[00:18:30] um, it does exist, uh, there is an interest for it and

[00:18:33] And we hope again, yeah, we're just hoping there's an audience

[00:18:39] Yeah, I well I I think in terms of the pre-launch followers and you know having read it

[00:18:45] I definitely think the you know the audience will will show up and it certainly doesn't hurt at least

[00:18:51] The I mean I think on twitter. I've seen I don't know if it's the full cover or like

[00:18:57] Uh part of it there's definitely been pictures that the both of you have have shared that um

[00:19:04] I think have generated a lot of interest. Um

[00:19:08] Skyler draws women really like really well

[00:19:11] and

[00:19:12] But in terms of I don't I'm trying to figure out if there's like a

[00:19:17] I don't I don't want to sound they have to say this but in terms of stuff on Kickstarter that sells and you say like sex sells

[00:19:24] but sometimes

[00:19:25] You know, you'll see

[00:19:27] disproportionate

[00:19:29] Female bodied characters, which I mean it look if it works for whoever I'm not

[00:19:36] You know, I'm not yucking anybody's yum or whatnot, but it's not necessarily for me of I

[00:19:43] And I I'm again just going to call back to resident and then especially you know Elena in this

[00:19:48] I really like how Skyler draws like women. Um

[00:19:52] She does a very nice job of that

[00:19:55] I don't uh

[00:19:58] Echoing gordon. Uh, I draw what I would want to look at

[00:20:05] You know

[00:20:08] Yeah, um, thank you. That's a huge compliment. I appreciate it, but there's it's something just about

[00:20:14] It's not sometimes

[00:20:16] Things can be you know so overt and I don't know to me to me personally

[00:20:21] I'm not speaking for anybody else to me sometimes that can be a bit of like a turnoff and it's just like I get it

[00:20:27] I get it. That's what that's what you got. That's your gimmick

[00:20:30] You know, there's just um

[00:20:33] There's an there's there's an added moment in terms of the characters that you draw

[00:20:39] That has like the an emotionality behind it. There's not just an overt sexiness

[00:20:46] It's also like a sultry nest. There's like some subtlety at play that I think

[00:20:51] Can be you know missed sometimes like there's one panel

[00:20:56] in in particular, um

[00:20:58] That I think only has like a hand in it and a bit of a glass that is just

[00:21:04] it

[00:21:06] I don't want to like say exactly what it is to give it away

[00:21:08] But I mean there the the panel after that and and what happens in that aftermath

[00:21:15] Is just handled so well and it's um, yeah, I just loved it thought it was great. Thank you

[00:21:22] Yeah, and Jordan and I talked a little bit about

[00:21:24] That's well not that scene specifically but you know how to tackle some of the sexier moments in the book and throughout

[00:21:32] because I think both of us find

[00:21:34] Again, not yucking anybody's yum, but the overt

[00:21:38] Very very obvious stuff is can be a little distracting for me personally in story

[00:21:43] And so we wanted to be able to have that flow and and build that kind of tension build that kind of

[00:21:48] sexuality and and sultryness without

[00:21:51] distracting too much from what was going on

[00:21:54] um

[00:21:55] Because there is a lot happening. I think between the panels too and that's kind of how we want to keep telling the story

[00:22:01] We've got a lot going on in between stuff and within the backgrounds and so

[00:22:06] In just like in a lot of a lot of espionage stories. There's a lot of parts

[00:22:11] So we don't want too much focus being on once on one thing too much, you know

[00:22:16] We kind of want to tell a very um multifaceted story here. Yeah

[00:22:21] Uh, go ahead Jordan. You're gonna say oh, yeah, I was just gonna add like even

[00:22:25] in later issues where I think there is more

[00:22:30] Uh, certainly more sexually charged scenes more explicit stuff. I think we still worked very hard to be like

[00:22:37] We didn't want it to just be

[00:22:39] titillation for titillation's sake or be overly

[00:22:42] um

[00:22:44] Yeah, overly explicit, but we still wanted to have very sexually charged moments

[00:22:48] that

[00:22:49] Again, hopefully we'll we'll we'll you know heat people up

[00:22:52] Uh, but we wanted it again

[00:22:54] We wanted to be presented in a way that is still very much about the characters

[00:22:57] Although again, it kind of goes back to the ongoing sex scenes and movie discourse

[00:23:00] It's like people sometimes things could just be sexy. It's yeah, uh, that's fine

[00:23:05] Anybody's young thing like I'm got no problem with just things being sexy for sexy sake, but we also have more going on than just that

[00:23:13] Oh, yeah. Yeah, definitely. Uh, yeah, I don't know if I

[00:23:17] I have seen some of that

[00:23:18] I I hate the word discourse, but now I guess it's in the lexicon. Um, uh when we talk about things online

[00:23:24] But yeah, it's also something came up on tiktok about why are there sex scenes in movies and um,

[00:23:30] I don't know. I don't I don't know if i'm ready to wait in on the podcast in terms of

[00:23:35] my thoughts on that because I

[00:23:38] Certain folks had a had a point in terms of things that are gratuitous

[00:23:41] But somebody that you know says like they're they're they never

[00:23:45] Like involve the plot or character. I mean, I kind of

[00:23:49] Take issue with but and any of that

[00:23:52] I

[00:23:53] The one thing I'll and this is because it is a spy thing and it it comes to mind is I was rewatching

[00:23:58] I've been watching through all the James Bond's recently and obviously the earlier ones with like, uh, connery could get a little

[00:24:05] Super problematic in terms of sexual content

[00:24:08] But you get to like the 90s when movies were just more

[00:24:11] erotically charged and could just casually do that and there's an entire scene in golden eye where he just has like this

[00:24:17] Very like sexually charged

[00:24:20] Fight in a sauna with a female like operative and it doesn't go anywhere

[00:24:24] It's just like you don't have to have this seat at a slotty, but it's very fun. Yeah, it's very like

[00:24:29] Charged and that's that's kind of the peak vibe. I think we're going right. It's like we're not sanitized

[00:24:35] But the characters have the agent

[00:24:37] To do what they want. Yeah, is that with fam kajansen? Is that who that is in that scene?

[00:24:42] um

[00:24:43] I think so

[00:24:45] No, i'm forgetting. I saw like a week and a half ago. Um, there's some there's multiple

[00:24:50] She's in one of them. There's there's a lot in the brasman. Yeah, the brasman movies got uh,

[00:24:55] Got a lot more steve and then

[00:24:57] Uh, well actually go casino royale still has a little bit of that but anyway, like when you think I think for some reason

[00:25:03] I keep coming back. I think it was because it was just on tv recently like

[00:25:07] die hard specifically die hard too like

[00:25:11] Incredibly sexually charged with the villain like there's and I feel like that's the same and in uh

[00:25:17] A lot of the 80s and 90s films like I feel like it wasn't

[00:25:21] Everything was just a little sexy or everything like everybody was

[00:25:26] I don't know. I kind of missed that. I wish that we had a little bit more media

[00:25:30] Like that at you know, we don't have to have it everywhere, but I feel like there's definitely been it's it's diminished. I think in the last

[00:25:38] 15 years

[00:25:39] You know, I think some I think somebody

[00:25:42] Was talking about recently on twitter and they were saying like

[00:25:45] There's maybe two percent of films that are coming out now in the united states market that have much sex in them at all

[00:25:52] But there's more discourse around it, you know that there is too much than there's ever been which just seems kind of counterintuitive

[00:26:00] Yeah, I I agree. I mean and again, I don't it's just my just perception, but it definitely seems like

[00:26:07] You know in the 80s and into the early 90s that there was just a lot more of that

[00:26:12] Uh in film whether or not it served the plot or not sometimes but yeah some of it. I mean

[00:26:20] But yeah, uh, yeah, I kind of missed some of that in in movies, you know that were

[00:26:27] um, yeah, they're they're they're just a

[00:26:30] difference

[00:26:31] All right, let's take a quick break

[00:26:35] What in the sam hill is happening right now? What is that?

[00:26:40] You like bars? Yeah

[00:26:43] Oh, you like band of bars. It's not my fault you muffle

[00:26:50] That makes sense. They're dropping some great new series right now

[00:26:53] There's that one about a heavy metal guitarist in the 1970s with monsters working class wizards

[00:26:59] You know how we love monsters around here and my friend, dakota brown. He's working on a project

[00:27:05] Grandma tilly's hell tech mech with lane void. I saw the preview for that. That is crazy

[00:27:11] jimmy even contributed to their anthology from the static and had matt sumo on the podcast to talk about his project

[00:27:17] the bardic verses which

[00:27:19] Makes a lot of sense that the project landed there

[00:27:23] Where can you find them?

[00:27:25] You need to get out more they are in previews or you can visit their website band of bars.com for all the latest

[00:27:31] Can we turn the music off now?

[00:27:35] Thank you no more surprises minstrels or anything like that or i'll rent you out to the ren fair as a children's ride

[00:27:43] Let's get back to the show

[00:27:45] Jordan in terms of this, you know the comics that you just to kind of take a turn

[00:27:50] Um, but the comics that you've done, you know, you were on here last time. We were talking about cooking with monsters

[00:27:55] I mean, I know you've been involved with like bullet adventures in terms of superheroes and now

[00:28:00] So I know this has kind of been going on for a while

[00:28:04] Um, but how did exactly did you get to the two you get to like a spy story?

[00:28:10] so

[00:28:11] the the original impetus was

[00:28:14] Just that

[00:28:16] I mean, I think it's there but uh, skylar posted fan art of dr poison from wonder woman

[00:28:22] Um and expressed a desire to see more of the character and I think I just commented something to the effect of yeah, I agree

[00:28:28] um, and then we just started talking and

[00:28:32] I think over the next year we sort of

[00:28:35] Touched on it a little bit and then then it was I spring of 2019. I think when we seriously started working on it

[00:28:43] and it wasn't even a romance at first. I think we just had this idea for a character uh in elena and

[00:28:51] We started developing it. We started the developing the idea of

[00:28:55] Maybe there was a handler or some character that she could be manipulating and then

[00:29:00] It it just like harper took on a life of her own and we we had a whole lot of things

[00:29:04] We wanted to say with her and

[00:29:06] That's just sort of

[00:29:08] The vibe we got where it's like we wanted a cool assassin

[00:29:11] um, and

[00:29:13] Then we we ended up with this big sapphic romance

[00:29:17] Yeah, it happened naturally honestly like when you really think back on it

[00:29:20] I think it's fun to say like it started with wonder woman because that's essentially where it started

[00:29:26] But yeah, it was originally we wanted this sort of like elena was was

[00:29:30] I think much more when we first started talking was much more maniacal

[00:29:35] Yeah, okay, and she's still a force and still threatening and still

[00:29:39] and

[00:29:41] Kind of alluring and more

[00:29:43] uncertain of her intentions and motivations

[00:29:46] But I think she was a lot a lot more off the off the cuff when we first started developing this

[00:29:53] um, and harper just sort of came about

[00:29:56] Very naturally and it's I feel like they're

[00:29:59] The way that their relationship fit together in the way that we developed them

[00:30:05] Felt very natural. I felt

[00:30:07] Do you agree with that Jordan?

[00:30:08] Yeah, I think it was just a case of if if you would if you'd asked us maybe in like

[00:30:15] Before we started like developing the pitch proper. We'd have said, oh, yeah

[00:30:18] Yeah, she's a villain

[00:30:20] And here's a a good person who would maybe gonna try to stop her

[00:30:23] But I I think yeah, they both became more complex

[00:30:26] I think for me at least especially there was also a certain amount of

[00:30:30] Her being this force of like tearing the government down that just sort of felt naturally like

[00:30:35] I don't entirely disagree with her worldview after a certain point of just

[00:30:39] being alive for the past six years

[00:30:43] But also it was just a matter of

[00:30:47] Really grounding her because again, yeah, the first version was very maniacal very much of

[00:30:51] Bondi and supervillain

[00:30:53] Vibe

[00:30:54] Which is just less interesting if you're going to make a whole book about them

[00:30:57] So I think we just were naturally

[00:30:59] finding reasons to empathize with her finding things that

[00:31:03] Had inspired her figuring out why exactly she was in this position

[00:31:07] um

[00:31:08] Yeah, we were never I think

[00:31:10] Again, we talked we've talked about the market probably wanting a book like this, but I don't I don't think we we

[00:31:16] Heard about that. I think we were just riffing on story ideas for the longest time and having fun doing it and

[00:31:22] uh, there's just like

[00:31:24] Miles of twitter messages leading into discord messages that it was just us

[00:31:29] Spitballing back and forth on random like weeknights. Well again while we were both working on other projects or things

[00:31:35] It's just we were always coming back to it and talking through the characters

[00:31:38] Yeah, I feel like jordan and I are both very owls too

[00:31:41] And so it'd be you know, I'd be working on something like two in the morning and get a message from jordan being like what if

[00:31:49] And then I'd be like yeah, and then this and then I'm off in another world and he's off in another world

[00:31:54] We've created arc too. That's how that happened

[00:31:58] What about in terms of like the the you know the character design like was there

[00:32:05] I'm curious in terms of the look of alana and the harper

[00:32:09] Was there any like particular?

[00:32:11] You know individuals or touchstones or certain things you were looking for a certain features that you were like

[00:32:16] I she's gotta have this or

[00:32:19] I feel like um

[00:32:22] Going off what I just said

[00:32:23] I think jordan was the person who sent me a message randomly and was like what about

[00:32:29] uh

[00:32:32] My brain went off the futa patella and free larson and I was like done

[00:32:40] So those were sort of our touchstone our experiences

[00:32:44] Um, and then they've they've since you know morphed a little bit from the original original designs

[00:32:49] but those were sort of the

[00:32:51] The two actresses that came to mind when we first started

[00:32:54] Dreamcasting that's like

[00:32:56] Yeah, and for me I think

[00:32:59] um

[00:33:01] Again unless I have very specific ideas

[00:33:03] I'm

[00:33:04] Not I go back and forth with character design across projects, but for this one. I was very much

[00:33:09] I think we were we were having touchstones in the real world and there's there's like probably I would say in each

[00:33:14] Character

[00:33:15] Maybe half a dozen actors or actresses that at some point we were like what about that because we were always fan casting our road work

[00:33:21] Uh, but I think the biggest thing to me was um, and I think I said this with cooking. I'm palestinian

[00:33:28] I wanted there to be representation for that with one of our leads

[00:33:31] The feeble patella isn't palestinian, but she is um

[00:33:34] Part middle eastern so that's where she was one of the touchstones and then just generally from that

[00:33:39] It was a character that I thought would be interesting to write on it's obviously something that

[00:33:43] I mean i'm thinking about it now more than ever because of palestinian character in a government position

[00:33:48] 2024

[00:33:50] I want to make sure that we handle that well because i'm thinking about that stuff every day

[00:33:56] That's the reality of the world. Um, and so that's something I think about especially with our long-term plans because

[00:34:02] um, again, we we've gotten overly ambitious part of which i'm going to blame on on idw a little because they gave us more issues

[00:34:09] than we were asking for and that made our book too

[00:34:12] For the other publishers

[00:34:15] Um, or at least that's the vibe I that's what i'm telling myself

[00:34:18] It wasn't that nobody wanted it. It's like we were just we got too fancy for the the market

[00:34:25] When we were really I think that's

[00:34:27] I'm really fortunate. I think that we were really fortunate to

[00:34:31] Even though it was short-lived get that chance to have

[00:34:34] Some of the editors that we did at idw. I feel like they helped us pace and sort of figure out

[00:34:40] Coming at it from an outsider's perspective because Jordan and I have spent so much time in this world

[00:34:45] We were concerned that there would be loopholes that we missed and we were just too close to it and that

[00:34:51] Dots that we'd connected in our minds already because we know all the backstory

[00:34:55] That a reader might not and so you know having editors like megan brown and reilly farmer and jake williams

[00:35:02] They were really really helpful in getting pacing

[00:35:05] um

[00:35:06] And making sure that we were looking at it with

[00:35:09] outside her eyes as well

[00:35:12] Yeah, I'm just glad that you were able to kind of you know come up with a plan and because that's got to be rough

[00:35:16] You're somewhere at idw and I know

[00:35:19] I saw some other artists and

[00:35:22] writers when that first happened who were saying you know

[00:35:25] When when idw canceled their like originals line who were like well, what do we do now?

[00:35:30] And you know not everybody's able to kind of like pivot and go to crowdfunding

[00:35:34] And it's got to be tough to think oh, we're set up here

[00:35:37] you know because um

[00:35:39] There's always discussions, you know with uh, how to break into comics how to do this like what do I need to do to get there?

[00:35:46] You know and then to have a situation where you get into you know, you have your book lined up somewhere and then

[00:35:52] You know for business reasons or whatever the purpose

[00:35:55] I mean, I know there's and it just it's just a strange time. It seems the past few years in the

[00:36:00] Comics industry probably even before the pandemic it shook things up and you know you have

[00:36:08] publishers like aftershock and you know

[00:36:12] Just I think only had some issues, but now they're they're kind of seem to be

[00:36:16] Doing some some cool stuff again. I know they just announced the ec thing. So I'm just glad that you were able to kind of

[00:36:23] um, you know persevere

[00:36:25] Uh because I I think folks are gonna love this

[00:36:28] Thank you. Yeah

[00:36:30] Crowdfunding has always been in the conversation

[00:36:33] But it is a topic we never really wanted to talk about because neither of us really wanted to do it because

[00:36:38] I think it is valid when people talk about crowdfunding in the sense

[00:36:42] It gives you freedom. It lets you own everything

[00:36:46] And and this is not to say those people don't acknowledge this but it is also a lot of work

[00:36:50] And it is a lot of prep and it is a lot of making sure that your numbers

[00:36:55] look right because

[00:36:57] There is no safety net if you are the person on the hook for this stuff

[00:37:01] I think some on the whole the community can be very forgiving and understanding when there are delays when there are issues, but

[00:37:10] it is also

[00:37:11] Having run I've run five and I've been part of a lot of them for bullet adventures

[00:37:16] Um, which I'll do my due diligence bullet adventures is on Kickstarter right now too. That is run by the publisher

[00:37:21] But I'm gonna throw it out there because it is also live right now

[00:37:24] Uh, but the thing with Kickstarter is it's it's a job. I mean we've been working on this

[00:37:29] Because we we basically we pitched it around and you know, we knew I don't think we knew for sure

[00:37:34] We were both going to be tabling at bc yet

[00:37:37] But we were like, you know, if we if we do that and we launch it then

[00:37:41] Then we can make a really big push

[00:37:43] Tabling together doing something special for the show. And so it was I think beginning of

[00:37:48] December that it was like, all right, we we're gonna we gave like a deadline if we don't hear back or nobody's interested

[00:37:54] We're just gonna do this. Um

[00:37:57] And we've been working on it for three months of just

[00:38:00] Figuring out how to fit it around our other stuff because we do still have other projects that we're working on

[00:38:05] And and getting the page ready and figuring out the budget

[00:38:08] I mean, we're still figuring out like details because you right up until launch

[00:38:13] You need to be as on top of it as possible. So

[00:38:16] it puts us in a position where if we are successful

[00:38:19] and

[00:38:20] you know, we're fortunately working in a genre or or at least a

[00:38:24] Age range that does kind of have a better chance of doing well in crowdfunding

[00:38:28] We're in a position where if we are successful

[00:38:31] And we can keep doing these campaigns

[00:38:34] You know, we will probably make more profit than we ever would have at a traditional publisher

[00:38:40] But the upfront work is just a lot higher. Yeah

[00:38:44] Yeah, for listeners if you don't know, uh, you know, because we sometimes don't get into the nitty gritty in terms of crowd funding

[00:38:51] but you know

[00:38:53] You know, you have to

[00:38:54] Get your your pre-launch page together. You got to get everything set on Kickstarter

[00:38:59] Your there's a ton of promotion that you have to do and then

[00:39:03] You know, luckily if you're are successful, you still have to get everything printed

[00:39:09] You have to fulfill all those campaigns. You have to worry about things like, you know, you're your own business now

[00:39:16] So there's taxes on everything that you would have made in terms of the Kickstarter

[00:39:21] Like there's so many things and so many details. So yeah, you get to own everything and that's great

[00:39:27] You're kind of in charge of your own destiny as far as that's concerned

[00:39:31] But it is a lot of a ton of upfront and then and back end legwork

[00:39:37] Not to mention you got to make a comic book

[00:39:42] Which was that was the unfortunate part of this campaign is uh, we pretty much already done that for this one

[00:39:47] Anyway, I mean most of the work on the first two issues was done

[00:39:51] Um, which led to us being like let's just do it because we honestly we'd wanted a double issue in the first place

[00:39:57] That was one of the few places where where the you know, we never quite got that. So we were like

[00:40:02] Let's just do let's just do a double issue

[00:40:05] um, we'll finish up the second one and and connect them

[00:40:08] um

[00:40:09] And that would I ideally that's our our hope going forward is we could just do double issues just so

[00:40:15] Also, so we're doing less campaigns because they are exhausting and we want it to come out on

[00:40:20] It's obviously it's not going to come out on the the time frame

[00:40:22] It would have had a traditional publisher, but we still hope that we can get through our first arc

[00:40:27] Uh reasonably quickly so that if the success is there we can

[00:40:32] You know do more and and just keep making the book we want to make and then if it is successful potentially

[00:40:39] Find a publisher that could could put it in traditional markets, but but negotiate from a place of actual

[00:40:45] um

[00:40:46] power

[00:40:49] Yeah, um

[00:40:51] I wanted to ask I know we you taught we mentioned james bond and some other things but just in terms of like

[00:40:56] You know because we talked to movies a little bit but specifically in terms of spy movies

[00:41:00] um

[00:41:01] Just whenever I think of like a spy story. I I think of you know kind of like intense ones like uh

[00:41:08] tinker tailor soldier spy that was based off of like the john carrey novel and then

[00:41:12] Everything from uh speaking of 80s movies spies like us with chevy chase and dan acroyd, which was a favorite of mine as a child

[00:41:19] Which I probably watched it way too young

[00:41:22] but uh

[00:41:23] Were there you know other than something like james bond were there any other like non traditional spy movies or

[00:41:30] um things that you kind of drew inspiration from or books it doesn't have to be

[00:41:36] Just curious if there was anything else out there

[00:41:38] Um for me I I would say

[00:41:43] On the book side it and skylar mentioned this but I think velvet is

[00:41:48] Uh, maybe both at least mine. It's my favorite thing brew baker and phillips have done. Um, I I just feel like it is

[00:41:56] It's like a distilled for everything they did with criminal and incognito just like to still down to a really tight

[00:42:02] I think it's 15 issue arc

[00:42:04] Um, so especially in terms of writing a spy comic that is one of the big touchstones for me

[00:42:09] um, and then as far as

[00:42:12] movies I

[00:42:14] It's weird. I was trying not to watch anything

[00:42:16] I like too much because I didn't want it to rub off in the work. I think it still happens a little inherently

[00:42:22] But I'm also I will say in terms of bond

[00:42:24] I'm I'm non traditional in terms of bond because I my favorite james bond is the george lasin v one

[00:42:30] Oh, wow

[00:42:32] Which which is a very like character like that's the one

[00:42:36] I'm not gonna say the one time you feel for bond because I think the daniel kregera sort of humanizes him in a way

[00:42:42] most of the movies

[00:42:44] Free brosnan don't

[00:42:47] But I just like that idea because there's there's a romance

[00:42:51] That for me in that movie actually works with james bond whereas I think most of the time

[00:42:57] At best the the bond girls are are competent at worst. They are like

[00:43:03] Um props so uh, I I really like it for that reason

[00:43:07] um

[00:43:08] And then yeah, I I just

[00:43:12] Uh, oh born I think we we talked about the born movies a lot. That was another one. Um just for

[00:43:18] I think

[00:43:19] the

[00:43:20] They they do a good job of showing some of the mundanity of being a like government agent

[00:43:25] But also having really

[00:43:27] Sick fight scenes one of which we would really like to riff off if we get the chance

[00:43:32] Um, so those are some of the big ones for me

[00:43:34] Yeah alias. I think was also kind of early on

[00:43:38] I've shown for us as far as um just kind of not knowing who's the good guy. Who's the bad guy and just the the push pull of

[00:43:46] How corrupt?

[00:43:48] intergovernment agencies can be

[00:43:51] And so that I think that would be probably my contribution in addition to what jordan has said and also

[00:43:57] Come from comics perspective in addition. I would say lady killer

[00:44:00] Yeah from the the fun element of it where you're we're dealing with something very dark

[00:44:05] But we also wanted to be kind of fun and

[00:44:07] So lady killers also a good good touchdown for this

[00:44:11] Yeah, I would also I'm a big fan of like sillier spy movies

[00:44:14] Like I really like the first kingsman, but I wouldn't say that that is not at all the toad we're going for

[00:44:19] No, yeah

[00:44:20] And then the one other one I would note that I I'm a big fan of is the um the cw nakita. I really like that show

[00:44:27] I've actually been rewatching it recently. So

[00:44:29] That's another one that I think actually kind of works in a similar

[00:44:33] um

[00:44:34] story space of like

[00:44:36] Trying to break out of the the like agency that's trapped you. Um, so so yeah, that's that's sort of I think the big ones

[00:44:45] Yeah, I I was when um

[00:44:48] When your two characters meet when elna and and harper meet reminded me there's uh

[00:44:54] I'm gonna forget. I was trying to look it up. I'm gonna forget the name of it

[00:44:56] But there's I think a colin farrell

[00:44:59] Like al pechino movie that colin farrell's in like the cia

[00:45:04] And you can't tell like I think al pechino is supposed to be his mentor and you can't tell if like al pechino is actually

[00:45:11] Like a good mentor or the bad guy

[00:45:14] um, and I was

[00:45:16] Try wondering if I was trying to see if I was like picking up on like how the

[00:45:20] Between elna and harper would play out and like, you know thinking about it going on to the future issues

[00:45:26] I just really like that dynamic and when folks get ahold of it and back it and read it

[00:45:31] they'll see what i'm talking about because I was just kind of like

[00:45:34] You know, what really is like going on here. There was still a bit of

[00:45:38] Mystery edge. I couldn't really, you know tell who's in who's gonna end up in what camp I just

[00:45:45] That confrontation

[00:45:46] Between them or that first meeting. I thought was just great

[00:45:51] That's yeah, that's really good to hear. I think that was our biggest

[00:45:54] Concern with this first and again, it's why we're happy to be doing a double issue and to get more time with them

[00:45:59] But it's sounding like it's working. Uh, so so maybe the what issue wouldn't have been bad

[00:46:03] but we wanted to make sure that they both got introduced and established

[00:46:07] So that when they do meet

[00:46:10] You feel like not that they're necessarily on equal ground because I think it's

[00:46:14] Pretty apparent who comes out sort of on top of that first encounter, but

[00:46:18] Yeah, the idea that that you can connect to both of them and and want to see where both of their head spaces are at

[00:46:26] And and because that's that's the thing we we want there to be not to give too much of the game away

[00:46:31] um, but we want there to be some push and pull between

[00:46:35] Who people are like necessarily connecting with it any given time or who who's like

[00:46:40] Who seems like the protagonist I guess at any particular moment

[00:46:44] The recruit it's the the movie I couldn't think of with Colin Farrell and

[00:46:48] and uh

[00:46:50] Al Pacino Colin Farrell is like a young cia agent, but I don't remember that's all that's the only little bit

[00:46:56] I remember the movie. I know I saw it, but that's that's all I got

[00:47:00] Uh, something else that entered my brain and pushed whatever the rest of the plot was in the recruit out

[00:47:08] Um

[00:47:10] So, um, not that doing, you know, all the things with uh

[00:47:15] Our sins are scarlet and running the Kickstarter isn't enough, but you know before we wrap up. Is there anything else?

[00:47:22] Uh, the two of you are involved in that you want to mention to listeners

[00:47:26] I know bullet bullet adventures for folks to check out and I'm sure you can still get

[00:47:32] Cooking with monsters which um, I absolutely love

[00:47:36] Uh by 11 year old Charlotte. She got it for Christmas and she was real excited about it. So, um always

[00:47:43] Graphic novels are a great. She loves manga too

[00:47:46] But I still throw in some graphic novels for and so cooking with monsters

[00:47:50] I felt was kind of like a nice bridge between our two worlds

[00:47:54] So thank you. Yeah, that's the hope

[00:48:00] Um as as far as stuff i'm doing yeah cooking with monsters book two is available for pre-order

[00:48:05] It's coming out in october

[00:48:07] Again, yeah bullet adventures issue five is live on Kickstarter as well through ultra wist comics

[00:48:13] Uh, and you can catch up on the whole series there

[00:48:16] and then

[00:48:18] The only other big thing I have recently was I wrote um, which is time like as the borderlands movie trailer just came out

[00:48:26] I wrote a tiny teen is wonderlands a coloring adventure

[00:48:30] That is coming out in october

[00:48:32] Um, and I had a lot of fun with that sort of like pick your own path sort of book. Uh, so those are I think the big

[00:48:40] Things i'm probably gonna forget something major

[00:48:42] um

[00:48:44] I think those are all the announced things uh, and then all of my old work is on you know

[00:48:47] It's on my portfolio site jordan else a good com

[00:48:50] Um, and a lot of that will also be available as like bonus digital rewards for this campaign

[00:48:54] So you can kind of one stop shop and get a bunch of stuff over it

[00:48:59] Nice skylare

[00:49:00] Um, right now i'm working on mostly covers. Um, I've kind of paired down a little bit of my interior work while we're doing this kickstarter

[00:49:09] Um, so mostly covers coming up. I'm also going to be in the kiltopia. Dave cooks kiltopia nano jams Kickstarter that awesome

[00:49:17] Yeah, I believe it's about to launch or has launched already. I think it's about to launch

[00:49:22] Um, so i'll be in there, um with working with scott brine wilson. He's writing the short for that

[00:49:28] Um, oh I love scott brine wilson true paul's one of my favorites a him and uh, uh, uh, liana kangas. Yeah

[00:49:37] Yeah, yeah, so working with him for that. Um, and then it's not i got something happening later in the year

[00:49:45] With image, but it hasn't been announced yet. So that's my little vague comments

[00:49:48] Okay

[00:49:51] This past tuesday as we record this i interviewed um db andry and tim

[00:49:57] Daniel and marco finnegan and i

[00:50:00] When folks are listening to this that episode i think even though i recorded it before comes out

[00:50:06] The next week a week after but i know that you did i really love the cover you did for for morning star

[00:50:12] I think you did one of the covers for for that looks really great. Love all the red and uh, yeah

[00:50:18] Fantastic can't wait for folks to see that when that comes out at the end of mark

[00:50:24] Um, all right. Well, uh, I got i can't thank the two of you enough for coming on the podcast

[00:50:30] Uh, I love having people return because that makes me feel like I do a nice job when

[00:50:38] Thank you for having us again. Um, yeah

[00:50:42] I appreciate the uh the return trip it it means a lot to this old man. Um, but yeah listeners

[00:50:49] I'm telling you you're you're gonna love this you absolutely are

[00:50:53] Our sins are scarlet if you're listening to this

[00:50:56] Um when this episode comes out or probably anytime in march

[00:51:00] I'm sure the campaign is going to run through. I would imagine the entire month. Um, you should be able to uh

[00:51:08] Go on there'll be a link in the show notes and and and back this book. Um, yeah

[00:51:13] If you're into any type of

[00:51:15] Uh spy story if you love skylers work from the second arc of resident

[00:51:21] um, yeah, if you're a fan of uh,

[00:51:24] Jordan's writing

[00:51:25] Especially if you've checked out bullet adventures, but I really think that this is it's just

[00:51:30] Something that something like this comes along and it has some familiar elements

[00:51:34] But does something in a way that we haven't quite seen before or there's not a ton of on the shelf

[00:51:41] And I just think it's a fantastic story. It looks great and um, I skyler I think draws the

[00:51:48] sexiest women in comic books right now that look like

[00:51:53] Real real ladies

[00:51:56] But but I mean that in like like a real life people not like

[00:52:00] I'm not

[00:52:03] You know what I mean like they look like thank you

[00:52:06] You know they look

[00:52:08] Real they look like it's sexy and it's sultry and it's yeah, um

[00:52:14] I saw I wish you guys that

[00:52:16] Sorry, there's a lack of cantaloupes in this issue

[00:52:19] Yeah

[00:52:21] What I was going for I

[00:52:24] Um, but yeah, I I really uh, I think folks are gonna love it

[00:52:27] So thanks again for for coming back on the podcast

[00:52:30] Uh to Jordan and and skyler. I really appreciate it. Thanks a lot. Absolutely. Thank you

[00:52:36] All right listeners, um, you know if you like it

[00:52:39] For the podcast that is rate and review us and and once you back the campaign and once you get it come back

[00:52:45] You know, you can find me on twitter or I want

[00:52:48] Tiktok sometimes yelling about comics and let me know what you like because um

[00:52:53] I I love comics and I try and tell you about things that I think you're gonna like and um, yeah

[00:52:59] This is something I think it's going to do

[00:53:01] Really well and I think you're not gonna want to you know miss out on it. So um, please check it out

[00:53:08] Our sins are scarlet campaign will be live as you listen to this. So again, Jordan and skyler. Thanks a lot

[00:53:13] I really appreciate it. Oh, uh, shout outs with my brother bobby the cryptic creator corners number one most dedicated listener

[00:53:18] I do that every episode because bobby listens to all my episode and he tells me he really likes when I say his name

[00:53:23] um so

[00:53:25] And uh, yeah as you're listening to this bobby and I are going to be on our way to Ireland

[00:53:29] Where we're going to spend my 45th birthday and we might dip into Dublin comic con. So, uh, you know, we're really excited about that

[00:53:37] um, but that's all and uh, thanks for listening and I'll see you next time. Good night

[00:53:42] This is Byron O'Neill one of your hosts of the cryptic creator corner brought to you by comic book yeti

[00:53:48] We hope you've enjoyed this episode of our podcast

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